24

• Mikel Kuehn Crack
• Karen Power just one girl playin' around
• Michael Clarke Enmeshed II
• Colin Johnson It's All Out There on the Internet
• Scott McLaughlin Whitewater
• Petra Bachrata Mystic Garden
• Peter Swendsen Bright Days of Little Sunlight
• Diana Simpson Chemistries
• Justin Yang Activities I - 5 sonic archetypes

25

Languages and Environments 1

• Mark Zadel, Gary Scavone RECENT DEVELOPMENTS IN THE DIFFERENT STROKES ENVIRONMENT
• Victor Lazzarini A TOOLKIT FOR MUSIC AND AUDIO ACTIVITIES ON THE XO COMPUTER
• Kia Ng I-MAESTRO: TECHNOLOGY-ENHANCED LEARNING FOR MUSIC
• Vesa Norilo, Mikael Laurson A UNIFIED MODEL FOR AUDIO AND CONTROL SIGNALS IN PWGLSYNTH

Interaction and Improvisation 1

• Eduardo Miranda AUTONOMOUS DEVELOPMENT OF SINGING-LIKE INTONATIONS BY INTERACTING BABBLING ROBOTS
• Jason Freeman, Mark Godfrey TECHNOLOGY, REAL-TIME NOTATION, AND AUDIENCE PARTICIPATION IN FLOCK
• William Hsu TWO APPROACHES FOR INTERACTION MANAGEMENT IN TIMBRE-AWARE IMPROVISATION SYSTEMS
• Parag Chordia, Alex Rae TABLA GYAN: A SYSTEM FOR REALTIME TABLA RECOGNITION AND RESYNTHESIS
• Arshia Cont ANTESCOFO: ANTICIPATORY SYNCHRONIZATION AND CONTROL OF INTERACTIVE PARAMETERS IN COMPUTER MUSIC

• Robert Thompson Orgone
• Martin Bedard Check-point
• Robert van Heumen Fury
• James Brody Portal
• Kerry Hagan real-time tape music III (excerpt)
• Min Eui Hong A Large Bee’s Flight for Tape Ver.4
• Antonino Chiaramonte Envoys
• Mark Ballora Moth Dance
• Robert Dow Precipitation within sight
• Charles Nichols Current Threat Level
• Marc Ainger Monkey Chatter with Train
• John Moeller Whistle
• Gilles Gobeil Ombres, espaces, silences
• Nikos Stavropoulos Polychoron

• Edith Alonso, Antony Maubert Nomade II Catalyst Arts
• Daniel Bisig, John Flury ISOkaeder Catalyst Arts
• David Brynjar Franzson Monday Morning SARC
• heike kaltenbrunner About life and death of neutron stars and TVsets Catalyst Arts
• Una Monaghan, Noirin Nic Alastair Piosai School of Music Building

• Heather Bamforth Deconstruction PS2 Project Space
• David Drury Peace Lines McMordie Hall/Botanic Garden

Sound Synthesis

• Victor Lazzarini, Joseph Timoney, Thomas Lysaght SPLIT-SIDEBAND SYNTHESIS
• Rodrigo Cadiz, Patricio de la Cuadra STOCHASTIC RESONANCE SOUND SYNTHESIS
• Wasim Ahmad, Hüseyin Hacihabiboglu, Ahmet M Kondoz ANALYSIS-SYNTHESIS MODEL FOR TRANSIENT IMPACT SOUNDS BY STATIONARY WAVELET TRANSFORM AND SINGULAR VALUE DECOMPOSITION
• Tamara Smyth VOICE SYNTHESIS USING THE GENERALIZED PRESSURE-CONTROLLED VALVE

Computational Modeling of Music

• Kjell Bäckman AUTOMATIC FITNESS IN GENERATIVE JAZZ IMPROVISATION
• Alfonso Perez Carrillo, Esteban Maestre, Stefan Kersten, Rafael Ramirez Perez EXPRESSIVE IRISH FIDDLE PERFORMANCE MODEL INFORMED WITH BOWING
• Dan Trueman THE CYCLOTRON: A TOOL FOR PLAYING WITH TIME

• Andrea Szigetvári Swinging Door
• Brian Cullen Thrice Removed
• Eric Honour Phantasm for alto saxophone and computer
• Donal Sarsfield Piano Accord

• Dimitri Voudouris Gesticular [Cena 8]
• Jason Bolte Friction
• Jon Christopher Nelson objet sonore/objet cinétique
• Per Samuelsson Grid Expansion
• Kari Vakeva Halo

Demos 1

• Wei Pan, Micah Johnson, Larry Polansky, Daniel Rockmore, Douglas Repetto OWT: A REAL-TIME OPTIMAL TUNING APPLICATION
• Samantha Brough APPLICATIONS OF GEOSCIENTIFIC SONIFICATION
• Georges Bloch, Shlomo Dubnov, Gérard Assayag INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS INTO THE OMAX IMPROVISATION SYSTEM
• Fabien Gallot, Owen Lagadec, Myriam Desainte-Catherine, Sylvain Marchand IKLAX : A NEW MUSICAL AUDIO FORMAT FOR INTERACTIVE MUSIC

Posters 1

• Victor Lazzarini, Rory Walsh, Martin Brogan TWO CROSS-PLATFORM CSOUND-BASED PLUGIN GENERATORS
• Pierre Hanna, Matthias Robine, Pascal Ferraro VISUALISATION OF MUSICAL STRUCTURE BY APPLYING IMPROVED EDITING ALGORITHMS
• Alexis Kirke, Eduardo Miranda COMPER: TOWARDS A MODEL FOR GENERATING COMPOSITIONS FROM EXPRESSIVE MUSIC PERFORMANCES
• Greg Wilder ADAPTIVE MELODIC SEGMENTATION AND MOTIVIC IDENTIFICATION
• Adam Stark, Matthew Davies, Mark Plumbley RHYTHMIC ANALYSIS FOR REAL-TIME AUDIO EFFECTS
• Niels Bogaards, Chunghsin Yeh, Juan José Burred INTRODUCING ASANNOTATION: A TOOL FOR SOUND ANALYSIS AND ANNOTATION
• Artur Capela, Jaime Cardoso, Ana Rebelo, Carlos Guedes INTEGRATED RECOGNITION SYSTEM FOR MUSIC SCORES
• Tom Davis CROSS-POLLINATION: TOWARDS AN AESTHETICS OF THE REAL
• Matthew Wright, W. Andrew Schloss, George Tzanetakis VISUALIZATION TOOLS FOR MUSICAL TIMING APPLIED TO AFRO-CUBAN PERCUSSION
• Per Anders Nilsson THE WALKING MACHINE
• Garry Quested, Roger Boyle, Kia Ng POLYPHONIC NOTE TRACKING USING MULTIMODAL RETRIEVAL OF MUSICAL EVENTS
• Daniel Bisig, Martin Neukom, Flury John INTERACTIVE SWARM ORCHESTRA, A GENERIC PROGRAMMING ENVIRONMENT FOR SWARM BASED COMPUTER MUSIC
• António Pedro Oliveira, Amílcar Cardoso TOWARDS BI-DIMENSIONAL CLASSIFICATION OF SYMBOLIC MUSIC BY AFFECTIVE CONTENT
• Min-Joon Yoo, In-Kwon Lee PATTERN-SPECIFIC PIANO EXERCISE RETRIEVAL
• Daniel Bisig, Martin Neukom, John Flury INTERACTIVE SWARM ORCHESTRA, AN ARTIFICIAL LIFE APPROACH TO COMPUTER MUSIC
• Francis Rousseaux, Alain Bonardi, Benjamin Roadley DIGITAL MUSIC COLLECTIONS: A PLACE OF KNOWLEDGE EMERGENCE ?
• Sebastian Streich, Bee Suan Ong A MUSIC LOOP EXPLORER SYSTEM
• Yohei Kobayashi, Naotoshi Osaka CONSTRUCTION OF AN ELECTRONIC TIMBRE DICTIONARY FOR ENVIRONMENTAL SOUNDS BY TIMBRE SYMBOL
• John ffitch, Julian Padget MAINTAINING AND USING PROVENANCE DATA IN COMPUTER MUSIC
• Stuart Pullinger, Douglas McGilvray, Nicholas Bailey MUSIC AND GESTURE FILE: PERFORMANCE VISUALISATION, ANALYSIS, STORAGE AND EXCHANGE

Interaction and Improvisation 2

• Nick Collins REINFORCEMENT LEARNING FOR LIVE MUSICAL AGENTS
• Christopher McClelland, Michael Alcorn EXPLORING NEW COMPOSER/PERFORMER INTERACTIONS THROUGH REAL-TIME NOTATION
• David Plans Casal TIME AFTER TIME : SHORT-CIRCUITING THE EMOTIONAL DISTANCE BETWEEN ALGORITHM AND HUMAN IMPROVISORS

Aesthetics, History, and Philosophy 1

• Mary Simoni, Betty Anne Younker PROJECT LOVELACE: TEENAGE GIRLS AND TECHNOLOGY-BASED COMPOSITION
• Carola Boehm WEEDS IN THE CRACKS: INTERDISCIPLINARITY AND MUSIC TECHNOLOGY IN HIGHER EDUCATION
• Xenia Pestova, Mark Marshall, Jacob Sudol ANALOGUE TO DIGITAL: AUTHENTICITY VS. SUSTAINABILITY IN STOCKHAUSEN'S MANTRA (1970)

• Sean Peuquet Chord
• Paulo Ferreira-Lopes Sotto-Voce
• Ronald Smith Something Suspicious (Small)
• Sohrab Uduman Chants. airs and dances for alto flute and live electronics
• Ricardo Climent Russian Disco
• Juan Pablo Caceres, Alain Renaud NET:DISTURBANCES
• Jan Trützschler von Falkenstein Zeitfenster (time frames)
• David Plans Casal Chasing Frank

• Sascha Lino Lemke ...and even further conversations with myself... for baritone saxophones and computers
• Rob Godman Duel - for piano and sound projection
• Allison Ogden, Krzysztof Wolek 2x2: an electronic improvisation
• Kotoka Suzuki Piano Con Moto
• Lance Putnam S Phase
• Maria Panayotova In The Forest
• Kazuaki Shiota Winter Street
• Alison Rootberg, Margaret Schedel The Color of Waiting

26

Miscellaneous

• Kia Ng ONTOLOGY MANAGEMENT FOR PRESERVATION OF INTERACTIVE MULTIMEDIA PERFORMANCES
• Graham Percival, Torsten Anders, George Tzanetakis GENERATING TARGETED RHYTHMIC EXERCISES FOR MUSIC STUDENTS WITH CONSTRAINT SATISFACTION PROGRAMMING
• Richard Dobson, John ffitch, Russell Bradford HIGH-PERFORMANCE AUDIO COMPUTING --- A POSITION PAPER
• Robert Hamilton Q3OSC OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE GAME

Algorithmic Composition Tools 1

• Torsten Anders, Eduardo Miranda HIGHER-ORDER CONSTRAINT APPLICATORS FOR MUSIC CONSTRAINT PROGRAMMING
• Timothy Place, Trond Lossius, Alexander Refsum Jensenius, Nils Peters FLEXIBLE CONTROL OF COMPOSITE PARAMETERS IN MAX/MSP

• Peter Smith Wet Sunday
• Olivier Bélanger Chorus Morph
• Sever Tipei Bfast
• Rui Penha Efeito Dominó I: Alquimia
• Kristine Burns Alfredo Cruz
• Manuela Meier, Anna Saranti underground sounds
• Ron Herrema One or Two Things
• Colby Leider White Fire
• James Carpenter Pent-up
• Michael Pounds Collection
• Alessandro Altavilla Logos appears milking a star
• Paul Koonce Träumerei Machine
• Travis Scharr Of Horror and Hope
• Paul Marinaro Old Blue
• Peter Silva Late
• Jacob Gotlib Tower of Babel
• Yvette Guillaume Atlas

Network Performance

• David Kim-Boyle NETWORK MUSICS - PLAY, ENGAGEMENT AND THE DEMOCRATIZATION OF PERFORMANCE
• Juan-Pablo Caceres, Alain B. Renaud PLAYING THE NETWORK: THE USE OF TIME DELAYS AS MUSICAL DEVICES
• Chrisoula Alexandraki, Panayotis Koutlemanis, Petros Gasteratos, Demosthenes Akoumianakis, Giannis Milolidakis, Nikolas Valsamakis TOWARDS THE IMPLEMENTATION OF A GENERIC PLATFORM FOR NETWORKED MUSIC PERFORMANCE: THE DIAMOUSES APPROACH
• Aristotelis Hadjakos, Erwin Aitenbichler, Max Mühlhäuser PARAMETER CONTROLLED REMOTE PERFORMANCE (PCRP): PLAYING TOGETHER DESPITE HIGH DELAY

Computational Music Analysis 1

• Mike Solomon STABILITY SPACE AND THE BELOW-N THRESHOLD: A COMPUTATIONAL APPROACH TO MUSIC ANALYSIS
• Pedro Kroger, Alexandre Passos, Marcos Sampaio, Givaldo Cidra RAMEAU: A SYSTEM FOR AUTOMATIC HARMONIC ANALYSIS
• Matthias Robine, Thomas Rocher, Pierre Hanna IMPROVEMENTS OF SYMBOLIC KEY FINDING METHODS

• Jeremy Baguyos Chindogu
• Christopher Keyes "Radiant Telemetries: Musical Settings of Celestial Images from The New general Catalog I: NGC2023 (Horse Head Nebula)"
• Rikhardur H. Fridriksson Postcards from North and South
• Daniel Morse Klangmasse I
• Benjamin Broening Lamentation Alphabet: Aleph
• Masahiko Inada, Taizo Nakamura Wakei
• Linda Antas Stand
• John Gibson Slumber
• Elainie Lillios Listening Beyond...

• Marina Kim in sich selbst
• Rodney Waschka II Still Life with Castanets
• Viktor Pushkar Pushkar Mountain
• Gregory Cornelius Earth and Green
• Takeyoshi Mori Over the Blue
• Hee Young Cho The Voice of the Sun
• Donal Siggins Farewell to Music

Panel 1: Reinventing Audio and Music Computation for Many-Core Processors

• David Wessel REINVENTING AUDIO AND MUSIC COMPUTATION FOR MANY-CORE PROCESSORS
• Yann Orlarey, Stephane Letz, Dominique Fober MULTICORE TECHNOLOGIES IN JACK AND FAUST
• Roger Dannenberg IS MUSIC AUDIO PROCESSING EMBARASSINGLY PARALLEL?
• Ge Wang A COMMENT ON MANY-CORE COMPUTING AND REAL-TIME AUDIO SOFTWARE SYSTEMS (2008)
• Peter van Roy THE CHALLENGES AND OPPORTUNITIES OF MULTIPLE PROCESSORS: WHY MULTICORE PROCESSORS ARE EASY AND INTERNET IS HARD
• Miller Puckette THOUGHTS ON PARALLEL COMPUTING FOR MUSIC

Panel 2: Towards an Interchange Format for Spatial Audio Scenes

• Gary Kendall, Nils Peters, Matthias Geier TOWARDS AN INTERCHANGE FORMAT FOR SPATIAL AUDIO SCENES
• Matthias Geier, Sascha Spors ASDF: AUDIO SCENE DESCRIPTION FORMAT
• Nils Peters PROPOSING SPATDIF - THE SPATIAL SOUND DESCRIPTION INTERCHANGE FORMAT
• Gary Kendall INTERCHANGE FORMATS AND THE ART OF SPATIAL AUDIO
• Gabriel Gatzsche, Frank Melchior SPATIAL AUDIO AUTHORING AND RENDERING: FORWARD RESEARCH THROUGH EXCHANGE
• Trond Lossius CONTROLLING SPATIAL SOUND WITHIN AN INSTALLATION ART CONTEXT
• Eric Lyon CONDITIONS FOR DEVELOPMENT OF AN INTERCHANGE FORMAT FOR SPATIAL AUDIO
• Steven Travis Pope INTERCHANGE FORMATS FOR SPATIAL AUDIO

• Alo Allik, Yota Morimoto, Satoshi Shiraishi hystere
• Hans Peter Stubbe Teglbjærg Koba Qunar
• Kingsley Ash GoLimp III
• Teresa Carrasco, Ellen Fallowfield Electric Voodoopuppen
• Tobias Grosshauser Sensonar
• David Durant Vista for piano and tape
• Juhani Räisänen Cringle
• Joshua Clausen she quiety enters and leaves the fray

• Pierre Alexandre Tremblay Sandbox#2.5
• Anna Friz Radio is everywhere in their dreams
• Matthew Yee-King Live coding with digital percussion
• Giampiero Gemini Diavolo Figura
• Diemo Schwarz, Etienne Brunet theconcatenator

27

Studio Reports 1

• Stephen Beck LCAT STUDIO REPORT
• Michael Young, John Drever, Mick Grierson, Ian Stonehouse GOLDSMITHS ELECTRONIC MUSIC STUDIOS: 40 YEARS
• Jonatas Manzolli CONTINUAMENTE: INTEGRATING PERCUSSION, AUDIOVISUAL AND IMPROVISATION
• Richard Andrews CNMAT STUDIO REPORT
• Gary Scavone, Nathan Whetsell THE MUSIC TECHNOLOGY PROGRAM AT MCGILL UNIVERSITY

Mobile Computer Ensemble Play

• Ge Wang, Georg Essl, Henri Penttinen DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS?
• Alex Harker, Angie Atmadjaja, Jethro Bagust, Ambrose Field WORLDSCAPE LAPTOP ORCHESTRA
• Christopher Burns, Greg Surges NRCI: SOFTWARE TOOLS FOR LAPTOP ENSEMBLE
• Scott Hewitt, Pierre Alexandre Tremblay SOUND COMMUNICATION: A STANDARD SYNTAX FOR INTER-APPLICATION, INTER-DEVICE AND INTER-PLAYER COMMUNICATION OVER OSC

• Ilya Mayzus Gusli Remix
• J.T. Rinker imp ++
• Lisa Whistlecroft Almost Nothing But (Butterflies and Clouds)
• Erik DeLuca Greenwood
• Jose Halac The Breaking of the Scream
• Michael Spicer Along the corridor
• Fabio Barbagallo Abrasioni
• Heinz-Josef Florian Eurydike's cry
• Fernando Lopez-Lezcano Kitchen <-> Miniature(s)
• Kjetil Matheussen Many saxophones of colors v1.2
• McGregor Boyle Pepper
• Giuseppe Rapisarda Motinarmonici
• Martin Marier Piano
• Jun Mizumachi PF-20

• Laurens van der Wee No Sine Cure
• Ge-Suk Yeo Time Sculptures III
• Peter Hulen Organum on Ash Grove
• Paula Matthusen rosenthaler
• Scott Wilson BEASTLY Fanfare
• Grace Leslie Nests and Shells

• Butch Rovan Correspondences
• Carmen Caruso Mayday
• d.d./h.-ed slash/roland The Warrior Weeps II: Shadows and Reflections
• Jonty Harrison Internal Combustion
• Fredrik Gran an hour and a half
• Elizabeth Anderson Protopia/Tesseract
• Thomas Gerwin Orpheus400 > e-scape No.3

Demos 2

• Adrian Moore FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMBLED ACOUSMATIC MUSIC
• Keith McMillen STAGE-WORTHY BLUETOOTH SENSOR BOWS
• Nicholas Bailey, Graham Hair, Douglas McGilvray, Ingrid Pearson, Amanda Morrison, Richard Parncutt THE ROSEGARDEN CODICIL: REHEARSING MUSIC IN NINETEEN-TONE EQUAL TEMPERAMENT
• Tom Lieber, Ananya Misra, Perry Cook FREEDOM IN TAPESTREA! VOICE-AWARE TRACK MANIPULATIONS

Posters 2

• Victor Lazzarini INTERACTIVE AUDIO SIGNAL SCRIPTING
• Matthew Yee-King, Martin Roth SYNTHBOT:AN UNSUPERVISED SOFTWARE SYNTHESIZER PROGRAMMER
• Kazuaki Shiota {TRANSPELL}
• JAIME SERQUERA, Eduardo Miranda SPECTRAL SYNTHESIS AND CONTROL WITH CELLULAR AUTOMATA
• John Chowning OUT OF SYNC: A SIMPLE SCORE BASED GUI FOR QUICK CORRECTION IN PERFORMER COMPUTER INTERACTION
• Paulo Ferreira-Lopes INTERACTION TYPOLOGIES : TRADITIONAL MUSIC INSTRUMENTS VERSUS DIGITAL MUSIC INSTRUMENTS
• Olivier Bélanger OUNK - AN AUDIO SCRIPTING ENVIRONMENT FOR SIGNAL PROCESSING AND MUSIC COMPOSITION
• Alexandros Kontogeorgakopoulos USING THE CORDIS-ANIMA FORMALISM FOR THE PHYSICAL MODELING OF THE GREEK ZOURNAS SHAWM
• Grace Leslie, Navid Hassanpour A GAME THEORETICAL MODEL FOR MUSICAL INTERACTION
• Roisin Loughran, Jacqueline Walker, Michael O'Neill, Marion O'Farrell THE USE OF MEL-FREQUENCY CEPSTRAL COMPONENTS IN MUSICAL INSTRUMENT IDENTIFICATION
• margaret schedel, alison rootberg SCORING "THE COLOR OF WAITING" AN INTERACTIVE, MULTIMEDIA SEMI-IMPROVISED PERFORMANCE WORK
• Kjetil Matheussen REALTIME MUSIC PROGRAMMING USING SND-RT
• julio d'Escriván, Jan Trützschler von Falkenstein TEATRACKS: A DEMONSTRATION OF AN AUDITORY DISPLAY OF A MULTITRACK SOUND SEQUENCER
• Mika Kuuskankare, Mikael Laurson SURVEY OF MUSIC ANALYSIS AND VISUALIZATION TOOLS IN PWGL
• Mathew Adkins TOWARDS 'A BEAUTIFUL LAND': THE INFLUENCE OF ROTHKO AND ABSTRACT EXPRESSIONISM ON FIVE PANELS NO.5
• Sylvain Le Groux, Aleksander Valjamae, Jonatas Manzolli, Paul Verschure IMPLICIT PHYSIOLOGICAL INTERACTION FOR THE GENERATION OF AFFECTIVE MUSICAL SOUNDS

Algorithmic Composition Tools 2

• Alexis Kirke, Eduardo Miranda AN INSTANCE-BASED MODEL FOR GENERATING EXPRESSIVE PERFORMANCE DURING COMPOSITION
• Nick Collins INFNO: GENERATING SYNTH POP AND ELECTRONIC DANCE MUSIC ON DEMAND
• James B. Maxwell, Arne Eigenfeldt THE MUSICDB: A MUSIC DATABASE QUERY SYSTEM FOR RECOMBINANCE-BASED COMPOSITION IN MAX/MSP
• Eric Lyon ARTICULATED NOISE

Interface, Gesture, and Control 1

• Miha Ciglar A FULL-BODY GESTURE RECOGNITION SYSTEM AND ITS INTEGRATION IN THE COMPOSITION '3RD. POLE'
• Alex McLean, Geraint Wiggins VOCABLE SYNTHESIS
• Jean-Baptiste Thiebaut, Patrick G.T. Healey, Nick Bryan Kinns DRAWING ELECTROACOUSTIC MUSIC

Banquet

• Greg Schiemer Mandala 7

• Paul Wilson Trapped in Ice
• Luigi Ceccarelli De Zarb à Daf
• Mauro Cardi Alba
• Daniel Blinkhorn jeu fabrique
• Orestis Karamanlis Transduction [for networked computer trio+soundfiles]
• Ivica Bukvic, Dane Webster With Delicate Risk
• Joseph Waters Grand Larceny
• David Holton Bursts on the Ecliptic Plane
• Julian Knowles Amphibian

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Interface, Gesture, and Control 2

• Klaus Petersen, Jorge Solis, Atsuo Takanishi DEVELOPMENT OF A REAL-TIME GESTURAL INTERFACE FOR HANDS-FREE MUSICAL PERFORMANCE CONTROL
• Enrico Cupellini, Costantino Rizzuti, Eleonora Bilotta, Pietro Pantano, Michael Wozniewski, Jeremy Cooperstock EXPLORING MUSICAL MAPPINGS AND GENERATING ACCOMPANIMENT WITH CHAOTIC SYSTEMS
• Ivica Bukvic, Denis Gracanin, Francis Quek INVESTIGATING ARTISTIC POTENTIAL OF THE DREAM INTERFACE: THE AURAL PAINTING

Languages and Environments 2

• Nick Didkovsky, Georg Hajdu MAXSCORE: MUSIC NOTATION IN MAX/MSP
• Roger Dannenberg THE NYQUIST COMPOSITION ENVIRONMENT: SUPPORTING TEXTUAL PROGRAMMING WITH A TASK-ORIENTED USER INTERFACE
• Tae Hong Park, Zhiye Li, Jonathan Biguenet NOT JUST MORE FMS: TAKING IT TO THE NEXT LEVEL
• Rebecca Fiebrink, Ge Wang, Perry Cook FOUNDATIONS FOR ON-THE-FLY LEARNING IN THE CHUCK PROGRAMMING LANGUAGE

• Orlando Legname Agua de Pingo
• Noah Keesecker TONEGOBLIN
• Ji Won Yoon Phantasma 2007
• Marcela Pavia, Leonilde Carabba Dancing around the One
• Alexander Sigman, Tapa Tariq custody
• Lydia Moyer, Judith Shatin Civil War Memories

• Henry Gwiazda thefLuteintheworLdthefLuteistheworLd SARC
• Rob van Rijswijk, Jeroen Strijbos SoundSpots Catalyst Arts
• Jennifer Merkowitz, Dagnan H. Brooke PIX: Portable, Interactive, eXperimental School of Music Building

Spatialization 1

• Kerry Hagan TEXTURAL COMPOSITION: IMPLEMENTATION OF AN INTERMEDIARY AESTHETIC
• David Kim-Boyle SPECTRAL SPATIALIZATION - AN OVERVIEW
• Matthew Bruns, Gary Kendall THE EFFECT OF AIR TURBULENCE ON SOUND AND ITS APPLICATION TO MUSICAL SIGNAL PROCESSING

Computational Music Analysis 2

• Bee Suan Ong, Sebastian Streich AN EFFICIENT OFF-LINE BEAT TRACKING METHOD FOR MUSIC WITH STEADY TEMPO
• Anna Jordanous VOICE SEPARATION IN POLYPHONIC MUSIC: A DATA-DRIVEN APPROACH
• Arne Eigenfeldt, Ajay Kapur MULTI-AGENT MULTIMODAL PERFORMANCE ANALYSIS

• Chikashi Miyama Piano Chimaera for video
• Angela Veomett Communal
• Mike Solomon Una passeggiata per la Piazza San Marco
• Nick Collins C28
• Oikawa Junya Labile
• Suk-Jun Kim Welcome To Hasla
• Katharine Norman Losing It
• Yu-Chung Tseng ICSC in 3

• Annie Mahtani Open Frames
• Mathew Adkins Five Panels (no.5)
• João Pedro Oliveira 'Aphar
• Mario Verandi Comme un jeu des images
• Hans Tutschku Distance liquide

Panel 3: Network Performance

• Jonas Braasch TELEMATIC MUSIC – RESTRICTIONS AND ADVANTAGES COMPARED TO TRADITIONAL ONE-SITE MUSIC EVENTS
• Winfried Ritsch REMOTE 3D-AUDIO PERFORMANCE WITH SPATIALIZED DISTRIBUTION
• Antonio Camurri, Corrado Canepa, Paolo Coletta, Simone Ghisio, Roberto Girolin, Gualtiero Volpe THE NETWORKED PERFORMANCE PROJECT FOR "LO SPECCHIO CONFUSO DALL’OMBRA" BY ROBERTO GIROLIN
• Joy Jerome, Sinclair Peter NETWORKED SONIC SPACES
• Pedro Rebelo, Franziska Schroeder, Alain Renaud NETWORK DRAMATURGY: BEING ON THE NODE
• Andrew Gerzso RICHARD WAGNER WAS THE FIRST NETWORK ARTIST
• Georg Hajdu REAL-TIME COMPOSITION AND NOTATION IN NETWORK MUSIC ENVIRONMENTS
• Pauline Oliveros NETWORKED MUSIC: LOW AND HIGH TECH
• Chris Chafe TAPPING INTO THE INTERNET AS AN ACOUSTICAL AND MUSICAL MEDIUM
• Robert Rowe COMPOSING FOR RELATIVE TIME IN DISTRIBUTED PERFORMANCE
• Miller Puckette NOT BEING THERE
• Andrea Cera MUSIC THAT LISTENS TO WHAT'S GOING TO HAPPEN: INTERNET ENHANCED, SELF-ADAPTING SOUNDSCAPES

Demos 3

• Graham Coleman MUSED DEMO
• Cléo Palacio-Quintin, Mark Zadel INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE
• Vincent Akkermans, Than van Nispen tot Pannerden TWO NETWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER_VOICES’
• Scott Wilson SPATIAL SWARM GRANULATION
• Nick Collins ERRANT SOUND SYNTHESIS
• Koray Tahiroglu, Hannah Drayson, Cumhur Erkut AN INTERACTIVE BIO-MUSIC IMPROVISATION SYSTEM
• Kamil Adiloglu, Robert Anniés, Klaus Obermayer, Yon Visell, Carlo Drioli ADAPTIVE BOTTLE
• G. Douglas Barrett, Francesco Gagliardi PERFORMING THE CITY: AN URBAN PERFORMANCE WORKSHOP
• George Tzanetakis, Randy Jones, Carlos Castillo, Luis Gustavo Martins, Luis F. Teixeira, Mathieu Lagrange INTEROPERABILITY AND THE MARSYAS-0.2 RUNTIME

Posters 3

• Robert Gluck THINKING REFLECTIVELY ACROSS CULTURES
• Chris Kiefer, Nick Collins, Geraldine Fitzpatrick EVALUATING THE WIIMOTE AS A MUSICAL CONTROLLER
• Benjamin Fields, Kurt Jacobson, Michael Casey, Mark Sandler DO YOU SOUND LIKE YOUR FRIENDS? EXPLORING ARTIST SIMILARITY VIA ARTIST SOCIAL NETWORK RELATIONSHIPS AND AUDIO SIGNAL PROCESSING
• Jaime Oliver, Matthew Jenkins THE SILENT DRUM CONTROLLER: A NEW PERCUSSIVE GESTURAL INTERFACE
• Andy Schmeder, Adrian Freed IMPLEMENTATION AND APPLICATIONS OF OPEN SOUND CONTROL TIMESTAMPS
• Knut Guettler, Hans Wilmers, Victoria Johnson VICTORIA COUNTS – A CASE STUDY WITH ELECTRONIC VIOLIN BOW
• Juhani Räisänen DESIGNING NEW INSTRUMENTS FOR THE HUMAN TOUCH - CASE SORMINA
• Jose I. Lopez Ramirez-Gaston CUANDO CANTO BAJAN LOS CERROS: AN INITIATIVE FOR INTERFACE DEVELOPMENT INFORMED BY A LATIN-AMERICAN CONTEXT.
• Charles O'Neill, Kia Ng DESIGN AND DEVELOPMENT OF AN INTERACTIVE SONIFICATION INTERFACE FOR HEARING IMAGES
• Mara Helmuth INTERCULTURAL EXPLORATION: THE COMPUTER AND TRADITIONAL MUSIC CULTURES
• Georg Boenn THE IMPORTANCE OF HUSSERL'S PHENOMENOLOGY OF INTERNAL TIME-CONSCIOUSNESS FOR MUSIC ANALYSIS AND COMPOSITION
• Jean-Julien Filatriau, Loic Kessous VISUAL AND SOUND GENERATION DRIVEN BY BRAIN, HEART AND RESPIRATION SIGNALS
• Jukka Holm POPULARITY OF MUSIC PLAYER PARAMETERS AND FEATURES
• James Mooney, David Moore RESOUND: OPEN SOURCE SOUND SPATIALISATION
• Martin Neukom, Jan Schacher AMBISONICS EQUIVALENT PANNING AEP
• Peter Hulen A LOW-COST SPHERICAL LOUDSPEAKER ARRAY FOR ELECTROACOUSTIC MUSIC
• Keith McMillen COMPUTER INTERFACE FOR STRINGED INSTRUMENTS
• Dante Tanzi DIGITAL TIME: COMPLEXITY AND PERCEPTION
• Kristine Burns HOW TO MAKE YOUR WIFE LISTEN
• Leandro Costalonga, Eduardo Miranda EQUIPPING ARTIFICIAL GUITAR PLAYERS WITH BIOMECHANICAL CONSTRAINS: A CASE STUDY OF PRECISION AND SPEED
• Ian Whalley TECHNOLOGY, CULTURE AND LOCATION IN A RECENT NEW ZEALAND SONIC ART PROJECT
• Mick Grierson COMPOSING WITH BRAINWAVES: MINIMAL TRIAL P300 RECOGNITION AS AN INDICATION OF SUBJECTIVE PREFERENCE FOR THE CONTROL OF A MUSICAL INSTRUMENT.
• Jerome Barthelemy, Alain Bonardi, Guillaume Boutard, Raffaele Ciavarella, Alex Mikroyannidis, Bee Ong, Kia Ng OUR RESEARCH FOR LOST ROUTE TO ROOT
• Enda Bates ADAPTING POLYPHONIC PICKUP TECHNOLOGY FOR SPATIAL MUSIC PERFORMANCE
• Katarzyna Chuchacz, Roger Woods, Sile O'Modhrain NOVEL PERCUSSIVE INSTRUMENT DESIGN – CONVERTING MATHEMATICAL FORMULAE INTO ENGAGING MUSICAL INSTRUMENTS

• Georg Essl, Henri Penttinen, Ge Wang MoPhO: Suite for Mobile Phone Orchestra
• Henry Vega Izumi - for percussion and two computers
• Rodrigo Sigal ME(n)TAL
• Cort Lippe Music for Snare Drum and Computer
• Sebastian Tomczak Eleven Point Six Milliseconds
• Alessandro Cipriani Bi Ma (Devoid of Self)
• Fabio Cifariello Ciardi Altri Passaggi
• Julio d’Escriván CloseUp
• Ernst Oosterveld ZEQ-Attack MoodSwings
• Pauline Oliveros Tele-Morphosis
• Kai Niggemann Quintessence - the five Elements (a composition for five players and one video artist of the EBE-Ensemble)

• Pd~graz blind date
• Georg Holzmann the electronic unicorn
• Mara Helmut, Alan Bern The Man and the Moon
• Matthew Burtner Aes/Aer

29

Sound Processing

• Bob Sturm, Curtis Roads, Aaron McLeran, John Shynk ANALYSIS, VISUALIZATION, AND TRANSFORMATION OF AUDIO SIGNALS USING DICTIONARY-BASED METHODS
• Matthew Hoffman, Perry Cook, David Blei DATA-DRIVEN RECOMPOSITION USING THE HIERARCHICAL DIRICHLET PROCESS HIDDEN MARKOV MODEL
• Diemo Schwarz, Sylvain Cadars, Norbert Schnell WHAT NEXT? CONTINUATION IN REAL-TIME CORPUS-BASED CONCATENATIVE SYNTHESIS
• Anna Saranti, Manuela Meier "UNDERGROUND SOUNDS" - EXPERIMENTING WITH THE SOUNDS OF EARTHQUAKES

Aesthetics, History, and Philosophy 2

• Sebastian Tomczak AUTHENTICITY AND EMULATION: CHIPTUNE IN THE EARLY TWENTY-FIRST CENTURY
• Gascia Ouzounian THE SPATIAL POLITICS OF RADIO: ANNA FRIZ'S CRITICAL UTOPIAS
• Rob Godman THE ENIGMA OF VITRUVIAN RESONATING VASES AND THE RELEVANCE OF THE CONCEPT FOR TODAY
• Gary Kendall WHAT IS AN EVENT? THE EVENT SCHEMA, CIRCUMSTANCES, METAPHOR AND GIST

• Hubert Howe Inharmonic Fantasy No. 2
• Oriana Barbato Acousmatic Longing
• Fergal Dowling Manchester Material
• Martin Neukom Studies 18.1 18.3 18.12
• Katerina Tzedaki Jyoti
• Piaras Hoban newmorningwintertvlight
• Jonas Foerster Viereinhalb Minuten Caratillo
• Barry Truax The Shaman Ascending
• Benoit Granier through Riemann's eyes
• Andre Bartetzki agrajag
• Dale Perkins Swan Song
• Enda Bates Discordianism
• Tom Williams Voice
• Daniel Barreiro Sons Adentro
• Jeffrey Gabriel Silva la poesía de los utensilios domésticos
• Sriram Viswanathan In the womb - Our First Home, Our First Roots
• Eduardo Miranda Tiergarten

Interface, Gesture, and Control 3

• Paulo Ferreira-Lopes, Filipe Jensen DIGITAL MUSIC INSTRUMENTS AND SOUND EXPRESSION
• Alexander Refsum Jensenius, Kristian Nymoen, Rolf Inge Godøy A MULTILAYERED GDIF-BASED SETUP FOR STUDYING COARTICULATION IN THE MOVEMENTS OF MUSICIANS
• Yip Sang To, Kam Wong MULTI-USER HAND GESTURE BASED MUSICAL ELEMENT MAPPING WITH TRADITIONAL MUSICAL ELEMENTS

Spatialization 2

• David Berezan IN FLUX - A NEW APPROACH TO SOUND DIFFUSION PERFORMANCE PRACTICE FOR FIXED MEDIA MUSIC
• Nils Peters, Tristan Matthews, Jonas Braasch, Stephen McAdams SPATIAL SOUND RENDERING IN MAX/MSP WITH VIMIC
• Sarah Adair A STUDY INTO THE PERCEPTION OF ENVELOPMENT IN ELECTROACOUSTIC MUSIC

• John Arroyo Control of the Noise
• Seongah Shin spring_flowing
• Takayuki Hamano .f(dot-F)
• Adam Collis Trackpad
• Yuta Uozumi biotope

• Chien-Wen Cheng Tune of Wind Rain and Thunder
• Pete Stollery rendez-vous"
• Oliver Carman Metamorphosis I
• Manuella Blackburn Kitchen Alchemy
• Ambrose Seddon 10_35_70

Algorithmic Composition Tools 3

• Masatoshi Hamanaka, Keiji Hirata, Satoshi Tojo MELODY MORPHING METHOD BASED ON GTTM
• Florian Thalmann, Guerino Mazzola THE BIGBANG RUBETTE: GESTURAL MUSIC COMPOSITION WITH RUBATO COMPOSER
• Torsten Anders, Eduardo Miranda CONSTRAINT-BASED COMPOSITION IN REALTIME

Studio Reports 2

• Rodrigo Sigal THE MEXICAN CENTRE FOR MUSIC AND SONIC ARTS STUDIO REPORT
• Rui Penha, Paulo Rodrigues, Fabien Gouyon, Luís Martins, Carlos Guedes, Álvaro Barbosa STUDIO REPORT: DIGITÓPIA AT CASA DA MÚSICA
• Ricardo Climent, David Berezan, Andrew Davison NOVARS RESEARCH CENTRE, UNIVERSITY OF MANCHESTER, UK. STUDIO REPORT
• Carr Wilkerson, Sasha Leitman, Fernando Lopez-Lezcano CCRMA STUDIO REPORT

• Georg Hajdu Ivresse '84
• Kristina Wolfe Broken Buildings
• Miguel Angel Ortiz-Perez Carne
• Michael Young Oboe_prosthesis
• Rodrigo Cadiz Particles
• Philip Reeder By Response
• Elizabeth Hoffman langanaich (two movements)
• Se-Lien Chuang, Andreas Weixler I am from the universe and you know what its worth
• Juan José Eslava Skin's Traces
• Per Bloland FeXIV (Iron Fourteen)