25

Demos 1

• Wei Pan, Micah Johnson, Larry Polansky, Daniel Rockmore, Douglas Repetto OWT: A REAL-TIME OPTIMAL TUNING APPLICATION
• Samantha Brough APPLICATIONS OF GEOSCIENTIFIC SONIFICATION
• Georges Bloch, Shlomo Dubnov, Gérard Assayag INTRODUCING VIDEO FEATURES AND SPECTRAL DESCRIPTORS INTO THE OMAX IMPROVISATION SYSTEM
• Fabien Gallot, Owen Lagadec, Myriam Desainte-Catherine, Sylvain Marchand IKLAX : A NEW MUSICAL AUDIO FORMAT FOR INTERACTIVE MUSIC

27

Demos 2

• Adrian Moore FRACTURING THE ACOUSMATIC: MERGING IMPROVISATION WITH DISASSEMBLED ACOUSMATIC MUSIC
• Keith McMillen STAGE-WORTHY BLUETOOTH SENSOR BOWS
• Nicholas Bailey, Graham Hair, Douglas McGilvray, Ingrid Pearson, Amanda Morrison, Richard Parncutt THE ROSEGARDEN CODICIL: REHEARSING MUSIC IN NINETEEN-TONE EQUAL TEMPERAMENT
• Tom Lieber, Ananya Misra, Perry Cook FREEDOM IN TAPESTREA! VOICE-AWARE TRACK MANIPULATIONS

28

Demos 3

• Graham Coleman MUSED DEMO
• Cléo Palacio-Quintin, Mark Zadel INTERACTIVE COMPOSITION AND IMPROVISATION ON THE HYPER-FLUTE
• Vincent Akkermans, Than van Nispen tot Pannerden TWO NETWORK INSTALLATIONS: ‘1133’ & ‘COMPUTER_VOICES’
• Scott Wilson SPATIAL SWARM GRANULATION
• Nick Collins ERRANT SOUND SYNTHESIS
• Koray Tahiroglu, Hannah Drayson, Cumhur Erkut AN INTERACTIVE BIO-MUSIC IMPROVISATION SYSTEM
• Kamil Adiloglu, Robert Anniés, Klaus Obermayer, Yon Visell, Carlo Drioli ADAPTIVE BOTTLE
• G. Douglas Barrett, Francesco Gagliardi PERFORMING THE CITY: AN URBAN PERFORMANCE WORKSHOP
• George Tzanetakis, Randy Jones, Carlos Castillo, Luis Gustavo Martins, Luis F. Teixeira, Mathieu Lagrange INTEROPERABILITY AND THE MARSYAS-0.2 RUNTIME